
Issue #36 of Exposé is available now!This is one of our best issues yet, and certainly worth the wait.Features in this issue include:GREGG BENDIAN. Gregg Bendian is by no means your average drummer. Over the
course of the last few decades, he has refined his craft, from free jazz excursions with
the Cline Brothers and Pat Metheny to duo collaborations with Richard Leo Johnson and his
acclaimed tribute to the Mahavishnu Orchestra that he has been championing for over five
years. Exposé was able to speak with Gregg at home on three occasions, each resulting in
this career-mapping dialogue from the heart of a true progressive rock fan. (Interview by
Jeff Melton) |
The fact that you're browsing The Artist Shop at all very likely means that you have a love of progressive, avant-garde, and adventurous music. The best way you can find out more about the music you love (well, other than browsing The Artist Shop, of course) is to subscribe to Exposé. Below is a little of the philosophy behind Exposé.
Once there was music. Simple music. Maybe a nursery rhyme or a simple folk tune sung by a kind and loving voice. Soon your ears met new music, maybe a classical piece or a fragment of a pop song, a comforting melody that played in your mind the whole day through. The simplicity of youth soon gave way to the anxieties of adolescence; pop music, then perhaps rock - began to speak more directly to your spirit in turmoil. As time went by, your musical tastes continued to develop driven by a hunger for new ideas, reaching for new horizons, fusing new styles and idioms, breaking down the existing limits and barriers. Then one day you found yourself alone, ignored completely by a music and radio industry firmly set on maintaining popular music at its lowest common denominator, while your wide ranging taste for eclectic musical styles and experimentation find you increasingly disconnected from the musical mainstream. Is this you ?
This growth and disconnection is what Exposé is all about. Our primary focus is the music that the mainstream ignores; music whose roots seem to have originated somewhere just outside the pop/rock mainstream, but has progressed onwards toward the boundaries of rock, where it meets jazz, classical, folk, avant-garde, electronic and experimental, going well beyond the standard forms into areas of stark and stunning originality. With Exposé, the focus is on the exploration.
Exposé began modestly in the autumn of '93 as a bi-monthly companion newsletter to the Exposure radio show, which focuses on progressive and experimental rock and its periphery. It grew from sixteen to forty pages within one year, and has since settled out as a sixty to eighty page quarterly, packed with information on all the music that matters, and the artists who create it. Our typical issue contains artist profiles, interviews, historical perspectives, and much more. You will find well over eighty reviews of new releases and selected reissues in each issue, and Exposé is the only English language publication that features roundtable reviews of all important new releases - not just one, but three different perspectives on the same release. Our writers are knowledgeable about music and the history of music, many being musicians themselves, and are among the best in the field, having previously written for Gibraltar, Audion, i/e, Eurock, and others.
Some of the artists we have featured and reviewed: Anglagard, Ozric Tentacles, Tony Spada, Ezra Winston, U Totem, King Crimson, Pulsar, SFF, Ange, Minimum Vital, Carl Weingarten, Doctor Nerve, Anyone s Daughter, Mezquita, Finch, Shylock, Saga, Zao, Area, Arena, Magma, Hoelderlin, Frank Zappa, Wittox O Hara, Birdsongs of the Mesozoic, Cast, Landberk, Halloween, Jean-Pascal Boffo, Pekka Pohjola, Versailles, Jadis, Kenso, French TV, Hawkwind, Kit Watkins, Iona, Crucis, Xaal, Eskaton, Carpe Diem, Phish, Mastermind, Klaus Schulze, Terraced Garden, Virgil Moorefield, Discipline, Anekdoten and many others. If this is the kind of music that interests you, then the time to subscribe is now. You will never find so much information at such a modest cost, focused squarely on the music that matters the most.
If this sounds intriguing, but you want to know more, just check out the Exposé Newsletter website.
If you're ready to subscribe, each subscription covers four issues. Prices are below and you can order through The Artist Shop with your credit card. When using our order form, disregard the postage and handling and other charges as that's included in the subscription costs.
4 Issue Subscription - (please note that subscriptions will start with the current issue unless othewise requested)
U.S.A. - $ 26.00
Canada - $ 28.00
Mexico - $ 30.00
All Other Countries - $ 44.00
Take any five issues for the price of a four issue subscription ($22). This offer is only good for delivery inside the US. Currently available are issues 11 through 30. Each of these issues will only be available while current supplies last. Once depleted they will not be reprinted. Below is a short description of each issue.
Exposé #30, September 2004, 92 Pages (Current Issue)
Les Tritonales Festival, Paris 2004, Matraz, KBB, John Duval, Baja Prog 2004, Trettioariga
Kriget, Strawbs feature (Interviews with Dave Cousins & Dave Lambert), Fred Frith
interview
Exposé #29, April 2004, 92 Pages
Gentle Giant megafeature, Barry Cleveland, Mark Powell, The Attila & Dave Project,
Syzygy, Robert Wyatt interview, Paul Ellis, The Future of Music Downloading
Exposé #28, December 2003, 92 Pages
Edgar Froese, Bob Drake, Lars Hollmer, David & Linda Laflamme, NEARFest 2003, Progman
Cometh Festival, Seattle 2003, Progday IX, North Carolina 2003.
Exposé #27, August 2003, 92 Pages
Mujician, Karda Estra interview, Forever Einstein, Steve Tibbetts, Hugh Hopper, Cabezas de
Cera Baja Prog 2003, Dave Kerman's final chapter in the continuing story of Josh, Canadian
Progressive Rock in the 1970's, Part One.
Exposé #26, February 2003, 92 Pages
Phil Miller, Anglagard, Peter Frohmader, Proto-Kaw interview w/ Kerry Livgren & Lynn
Meredith, Seattle "Progman Cometh" festival 2002, NearFest 02, ProgDay 02,
Classic Rock Festival, ProgWest 02, Cattle Prog, Dave Kerman: The Further Adventures of
Josh.
Exposé #25, September 2002, 92 Pages
Interviews: John Marshall, Kraan, Cyrille Verdeaux/Clearlight, Kromlech, Radio Massacre
International, Rick Wakeman, ECM Rarum series, Baja Prog 2002, Dave Kerman: Earth to Josh:
Prog Is Dead.
Exposé #24, April 2002, 84 Pages
Maudlin of The Well, Paranoise, Roger Eno, John Etheridge, Sven Grunberg, La Torre
Dell'Alchimista, Tunnels & Nuove Musiche, ProgWest 2001, Progressive Projections, CD:
BayProg Sampler
Exposé #23, December 2001, 88 Pages.
Estradasphere, Dennis Rea, Prog Day 2001, Sleepytime Gorilla Museum, New Sun, Ozrics, Neil
Sadler, Robert Carty + Dweller at the Threshold, Indonesian Prog Festival, Rob Ayling (of
Voiceprint), King Crimson w/Tool
Exposé #22, July 2001, 84 Pages.
Nearfest 2001, McGill Manring & Stevens, Baja Prog 2001, Riho Sibul, Arti e Mestieri,
Gatto Marte, Jeff Greinke Interview, Cartoon & PFS, Gary Parra & Trap + CD:
Cuneiform Records 2001
Exposé #21, March 2001, 88 Pages.
ProgDay 2000, Gianni Leone/Il Balletto di Bronzo, Uz Jsme Doma, Azigza, Theo Travis,
Sleepytime Gorilla Museum, Five Fifteen, King Crimson, Spacecraft, Picchio Dal Pozzo, The
Tunnel Singer + CD: "What's New in Baltimore"
Exposé #20, October 2000, 92 Pages.
NEARfest 2000, Yes Masterworks Tour, Moe. in Portland, Annbjorg Lien, Amy Denio, Peter
Hammill, Rascal Reporters, Vidna Obmana, Thierry Zaboitzeff, Brainworks Label, The Golden
Age of Eurock
Exposé #19, May 2000, 88 Pages.
On The Future of Music Distribution, Absolute Zero + Trap, Hypnos Label, Garden of
Delights Label, NeBeLNeST, Maximum Indifference, Babylon, Robert Rich, Guy LeBlanc (Nathan
Mahl), Discus, Steven Wilson (Porcupine Tree), Richard Barbieri
Exposé #18, November 1999, 80 Pages.
Nearfest '99, The Residents, Richard Pinhas & Maurice Dantec, 5th International
Progressive Music Festival - San Francisco 99, Bill Bruford's Earthworks, Iconoclasta,
Atavism of Twilight, Michael Stearns, Steve Hahn, Tempano, Architectural Metaphor, Mirage
Label,
Exposé #17, April 1999, 84 Pages.
Earthworks, Baja Prog 99, Kopecky, Gordon Haskell, Opposition De Phase, ProjeKCt 4 live,
Kilgore Trout, Mike Keneally, Species Being, Cloud Chamber, French Progressive Artifacts,
Kevin Ayers, Christian Vander, Felix Jay, Steve Roach, Silver Apples, Thinking Plague
Exposé #16, January 1999, 80 Pages.
Present Live, ProgDay '98, Djam Karet w/New Sun, Strange Days '98, Northside Label
Overview, Ten Jinn interview, David Cross, Hugh Hopper interview, A Triggering Myth, Amon
Duul Megafeature
Exposé #15, July 1998, 80 Pages.
Baja Prog '98, Yes, Sound Resources Studio, XII Alfonso, Benoit Widemann, Michael Brook,
Cloud Chamber, Stan Whitaker on the Happy The Man reunion, Doctor Nerve Interview w/Nick
Didkovsky, Mickey Simmonds, Kraftwerk, Patrick Forgas
Exposé #14, February 1998, 80 Pages.
Projekt Fest `97, Idiot Flesh & Buckethead, Bill Frisell Quintet, Marillion &
Enchant, Exposé Concert Series, Strange Days `97, ProgDay `97, Providence, Volare, Thijs
Van Leer of Focus, Edhels/Marc Ceccotti, Djam Karet, 0.720 Aleacion, Eloy, Present, Zendik
Exposé #13, October 1997, 80 Pages.
Victoriaville 1997, Fifty Foot Hose & Silver Apples, Boud Deun, The Grand Parade,
Progfest `97, Prog-Est `97), Exposé Concert Series, Hawkwind - 25 years on, Spirit and
Randy California, Cast, Carl Weingarten, Aldo Tagliapietra of Le Orme, Peter Banks, Dave
Brock, Simon House
Exposé #12, May 1997, 72 Pages.
Yes, Ash Ra Tempel, Camel, Exposure Concert Series,French TV, Earthlings, moe, Trance
Mission, Renaissance Mark 1, Solstice/Andy Glass, Mona Lisa, Bill Forth of Ten Seconds,
Martin Barre, Toshio Egawa of Gerard, Doane Perry
Exposé #11, February 1997, 72 Pages.
Prog Day 1996, Eclectic Electric Event, Stockholm Progressive Rock Festival 96, Magma,
Dead Can Dance, Michael Ray & The Cosmic Krewe, moe., Yolk, Medeski Martin & Wood,
Phish, Shockra, Happy The Man megafeature, Boud Deun, Hiro Kawahara (Heretic), Shub
Niggurath, Progressive Rock Worldwide Label, Spotted Peccary update